Baron Albany (Brian Cox: The Escapist
Filmmaker Jonathan English deploys robus production values, plunging us into squalid medieval society so effectively that we can feel the mud between our toes. The special effects cleverly extend the images, and an specially strong cast createds shaded characters we can identify with.
'Ironclad' is at its strongest when it comes to the physical side of things. It does not shy away from gory violence. Heads, hands and feet go flying, blood splatters all over the the camera's lens, and there's a particularly nasty bit involving a man and a catapult. The weapons feel like instruments of destruction rather than Medieval-chic accessories, and often succeed in making viewers wince.
The fight choreography is particularly impressive - characters look like soldiers trying to tear each others' hearts out, as opposed to actors trying to high-five each other's swords. The action sacrifices style and appearance for physicality and brutality, which results in a refreshing level of authenticity.
The 13th century England recreated looks good enough to fool anyone but a history buff. It's also a strange mixture of boyish filmmaking excess and messy historical detail.
All in all, if you like the genre, you won't be dissapointed. The film certainly ticks many of the boxes of an action blockbuster.
Ironclad Trailer